Spectrasonics really has high standards with their patches. I usually don’t need that many knobs anyway. The nitty-gritty controls are available for those who need them, but I really appreciate the simplicity of the main effect controls. Easy controlsįor a composition-minded guy like me, the simple controls of Omnisphere 2 are very much welcome. Some of the presets try to do too many things at once, and sometimes I need to remove some of the sound layers, in order to get a clearer, simplified sound that fits in the mix. 64 gigs of source sounds will take a big bite out of your hard drive, but it’s well worth it. The presets are very well designed, and you can spend days browsing through all the sounds. It has a lot of sounds that are made from wild, organic sound sources – the infamous burning piano, coins on metal strings, stalactite cave sounds, water bowls, electric toothbrushes and other crazy ideas have resulted in surprisingly usable experimental sounds.
I like to combine organic sounds with synthetic sounds, and that seems to be what Omnisphere is all about. Omnisphere 2 ships with a truckload of sounds, so the inspiration shouldn’t run dry anytime soon. Sometimes I just want to get a bunch of predesigned sounds, to get the composition juices flowing. I really like the inspiration boost that a new set of sounds gives me. I bought Omnisphere 2, and immediately started composing new songs. On July 2017 I couldn’t resist the temptation anymore. Many praising reviews told me that this version of Omnisphere is less of a CPU hog, and that you can now use custom sound sources to create new sounds. At the time I had heavily invested in other stuff, so I wasn’t ready to buy Omnisphere 2 just yet. Omnisphere 2 was released in 2015, right after our second album. Spectrasonics had proved their value as a sound company with a vision. I have used Trilian on many songs, and it’s still one of my favorite sources for low-end bliss. I had a hard time finding cool bass sounds until I found Trilian, which is a synthesizer specifically designed to make cool bass sounds.
SPECTRASONICS TRILIAN YOUTUBE LICENSE
I didn’t have an official license for Omnisphere 1, and because I was more interested in pure synthesis at the time, I ditched Omnisphere for a couple of years.īy the way! If you're into pop music, you might want to check out our Fresh Electronic Pop playlist on Spotifyīass is one of the most important instruments in the kind of music I like to make. The first Omnisphere sounded great, but it was an elephant – heavy on the hard drive and on the processor.
Omnisphere’s giant library and not-so-modest CPU usage didn’t really speak for it either. So I used a lot of U-he’s products, which are very lightweight and purely synthetic plugins. However, I got attached to the idea of using very lightweight synthesizers that relied only on synthesis, instead of combining samples to the sound. I used to use Omnisphere, when it first came out, and at the time it inspired many tracks. I have a couple of synths that fit well into this kind of workflow – namely Zebra 2 and Hive by U-he, and now, Spectrasonics Omnisphere 2. When the song itself is ready, sounds can be adjusted.
Sounds need to be inspiring and preferably futuristic, so that I can quickly compose a cool-sounding demo.
I like to find the sound that I need as quickly as possible, and then move on to the vocal melodies. I am a songwriter who likes to spend more time with the melodies, lyrics and arrangement than with the knobs of a synthesizer.
0 kommentar(er)
